Monday, June 25, 2007

Pomp and Circumstance, Yerevan style

Like I said before, it feels a bit awkward blogging about Armenia on the spyurk log, but eh...

Yesterday I had the fortune of taking a hike up Baghramyan Street (yes it's a hike, all three minutes of it) to meet a good friend at the srjaran near the metro station up there. Along my stroll I came across a few embassies, the national assembly, academy of sciences, and of course the presidential palace. I immediately recognized the palace since there was a row of soldiers lined up across the front door with their guns in hand, but at the side there was a small marching band going around. Now I know there is a changing of the guard at Buckingham Palace, but a similar ceremony in Yerevan? Well unfortunately I couldn't stick around to find out, as soon as I started watching the band the guard just behind the gate appears and starts mad dogging me like nobody has done before, I nod my head and acknowledge his presence and then start to watch the band again. But... when I turn my head back to the gate, you guessed it, there's the soldier staring at me. I didn't want any trouble so I just went across the street and watched but by that time it was over. So random though, one would think the guard would want to show off the marching band but it's the other way around. I don't even want to think what would happen if I wanted to take a picture or film the event...

Friday, June 22, 2007

Rendez-vous en Arménie :o)))

Times are getting VERY interesting... Like many other armenians, i'll spend some time in Armenia this summer, and as the date is approaching, i mention it here and there during ordinary conversations : the more I speak of it, the more phone numbers from there i get... :o)
Why do french talk about "téléphone arabe"? It really should be renamed "téléphone arménien" !
It was exactly the same last year before the 1st trip to Armenia : the slightest mention of it brought a new local phone number ! Looks like it'll be more crazy this year since the french Year of Armenia put the country under limelights here for summer destination, all together with the pan-armenian games which are going to invade the country in august Wooohooooooo !
Where else would it be the same ??? I BET NOWHERE !
So... rendez-vous en Arménie !

Thursday, June 21, 2007

Yergoo Khosk...

I've always wanted to title a blog entry "Yergoo Khosk", granted I wish it could be accompanied by a picture of me sitting behind a desk in an office pretending to write something yet looking straight into the camera (like Armenian principals in Yearbooks)

I wanted to let readers know about another great event taking place at the Hollywood Bowl on July 8th. Mozart and the Magic Flute is what the evening has been titled and in addition to the Los Angeles Philharmonic there will be an appearance by Isabella Bayrakdarian. (Once again my family has already jumped on the bandwagon and we're slated to attend) www.bayrakdarian.com

I had only heard of Isabella Bayrakdarian in passing then one Sunday afternoon after going to church at Soorp Garabed church in Hollywood my cousin and I were having lunch at Falafel Arax and I asked her what she wanted to do with the rest of our afternoon. She suggested we go downtown and see if we could get in to see Mozart's Le Nozze di Figaro. I agreed since it was a matinee and an Operetta. When the show was over my cousin led me to some side door that led us to some underground backstage area where we met Isabella and the gentleman playing Figaro. It was a brief meeting but she is just as sweet as her beautiful voice!

Now on to my "Yergrort" khosk..ha ha! I read the following article today, http://www.kurdmedia.com/article.aspx?id=9868 about the Yezidi community in Armenia. I had never heard of the Yezidi until about 5 years ago but since then I've been reading anything I come across to educate myself further, (I even watched Vodka Lemon but that didn't help too much) but I'm still confused. The reason why I'm putting my ignorance on this subject "out there" is because I'm just not getting it and I do wish to be enlightened and I'm curious how repats can identify Yezidi's in Armenian especially since some have Armenian names and most if not all speak Armenian.

My general understanding prior to reading this article was the Yezidi are a Kurdish non-muslim community with their own language but they speak Kurdish and Armenian as well. However this article states that some Yezidi don't claim Kurdish nationality and consider Yezidi their nationality and their religion is Sharafadin. Ugh, now I'm confused all over again.... is it a religion or a nationality? Is this generallly just a debated issue much like Judaism? I'm not trying to start up a politically heated issue here, I'm just trying to learn what the real facts are so I can be "PC".

Levon, I'm reading your blogs about arriving in Yerevan and I'm jealous! I wish I could fast forward the next 2 months so I can be there too!!!!

Wednesday, June 20, 2007

Arrival in Yerevan

I just arrived in yerevan 12 hours ago and i'm dead tired + jetlagged. Yea I'm bloggin while in armenia on the diaspora blog but I couldn't help it since I was impressed upon my arrival.

It's only been two years since the last time i was in yerevan, but when i arrived at the new terminal of zvartnots I was so surprised. I could make a huge list of all the changes they made (starting with getting rid of those pesky cart/luggage attendants/vultures) but I won't since there were so much that impressed me. I took a quick stroll today in yerevan and ate at tumanian shawerman, saw northern ave, opera, etc... i have to say in two years there is so much new stuff going on it's great. I'm really looking forward to spending the summer here, now if only I don't get sick...

Saturday, June 16, 2007

A pleasant surprise

As I sit around my house enjoying my week long hiatus before I journey off the Armenia on Monday, I recalled a pleasant yet surprising conversation I had with a professor just a week before graduating.

I went to his office just to chat about some future plans and get some ideas, specifically my intentions on law school and what kind of work experience could strenghten my candidacy for top schools on the east coast. He advised me to tailor my work experience so that it matches my professional interests. I mentioned I have an interest in international law and he replied that it would be ideal for me to get an internship abroad. I told him I interned at the foreign ministry of Armenia and he was excited and stated that type of work is perfect, but he also mentioned something that took me completely off guard and cause me to pause all of a sudden. In describing what type of work in the international field would look promising, he stated that just maybe I can do some work dealing with the situation in Nagorno Karabakh......

I was shocked! I just couldn't believe that he actually knew about it. I suddenly snapped my head up and asked, "You know about Nagorno Karabakh?" and he cleverly replied, "I'm a smart guy what can I say." Indeed he is, he did spend his time in Washington DC which I'm sure he was exposed to it, or maybe he just really keeps up with the news. But I have to say I know a LOT of professors that wouldn't even know what the heck I'm talking about if I mentioned Nagorno Karabakh.

I then asked him how he knew about this and his response also took me back. He stated that the situation is extremely significant in the context of ethnic and border wars that are going on all over the world. Again I was shocked... I mean, I agree with him on everything, but I just didn't expect it to come from him. It really puts thing into perspective though, once an outside eye looks at the situation you reallize truly how important the circumstances are. I have to say though I really underestimated not only him but just people in general, right when you think that nobody really understands where you're coming from someone does.

Thursday, June 14, 2007

MUSIC ! & more echoes of history

Yoooooo !
Here’s the last compos of Gas, who entered the « myspace » family
Particularly listen to “Miss Margot” a song about the woman who allowed French repats of Armenian (blocked in Armenia since 1947) to be free again
It’s the crazy story of that woman (Armenian from France) who dared to scream and run with her baby, despite the circle of authorities strict guardians, and all the risk of goulag or death, for throwing herself, in the arms of the French Foreign Affairs minister Christian Pineau in 1956, during his official visit of communist Armenia. A decisive act of despair that made France realise what was happening to its former citizens who followed the soviet dream of return to homeland in 1947.
All the ex-soviet-armenians of that time, Gas included, remember her, so this is why the song is born
The work on the compo isn’t finished yet and there are more sounds to add, but it’s already really COOOOLL

Apart from that, always more noise made on armenian’s history :
« le mas des alouettes » of Taviani brothers, an Italian movie based on Antonia Arslan italian best seller ("La masseria delle allodole", a family’s history during the genocide), is on the French screens since the 30th may. To be more precise only 16 screens in all France (against 417 for Spiderman3 for example)
Haven’t seen it yet but already know that it has shocking scenes of the genocide...

+ Recent publication : the testimony of a French priest in Adana 1909, found by a French journalist who made a book of it
http://www.canalacademie.com/Une-page-du-genocide-armenien.html


+ One of the 6 national tv channel is planning 3 programs about Armenia these coming days (ARTE)
16 juin, 23h35 : "Long journey home" par Isabelle Bayrakdjian
20 juin, 20h40 "Le Génocide arménien" par Laurence Jourdan (1 heure)
jeudi 21 juin, 23h15 : "Le Haut-Karabagh, la paix des guerriers"

Ciao !!!

Monday, June 11, 2007

Armenian Spirit is back at the Bowl!

In case you haven't heard yet the Hollywood Bowl's Summer World Music Series is featuring "The Spirit of Armenia" on July 29th!

It's been a while since there has been an Armenian themed event at the Hollywood Bowl. I remember a few years back when we had the pleasure of hearing Djivan Gasbaryan and Winds of Passion perform at the Bowl and I think I can say everyone had goosebumps when the sounds of the duduk were floating around in the amphitheatre and bouncing off the Hollywood Hills.

I find it very flattering that of all the countries that could have been chosen Armenia was selected. It makes me wonder who decides and what the process entails. Did Armenians play a part in making it possible? I'm not even sure if this event is being publicized in the Armenia media. I no longer receive the Armenian newspaper and I don't have Armenian TV channels so I have no way of knowing.

I actually found out about this event through a KCRW newsletter I received through the mail which made me happier since I knew all my non-Armenians friends who are KCRW members would be getting it as well. In fact the entire event is sponsored by KCRW! I really hope that Armenians from around the Southland don't snatch up all the tickets and Non-Armenians who have an interest in our culture will be able to come and experience our culture in one of the most glorious ways I think possible... at the beautiful Hollywood Bowl!

The performers for the evening are: Adiss Harmandian, Andy, Silva Hakobyan, Sako, Djivan Gasbaryan,Hovhaness Shahbazyan, Element Band, Winds of Passion, Zvartnots Dance Ensemble and Vartan & Siranoush Gevorkian Dance Ensemble.

My family has already purchased 15 tickets and our entire "urta" will be attending this event. This is especially exciting for me since I haven't seen or heard of most of these performers except for Adiss, Djivan, Winds of Passion and Element. Anytime I hear Adiss I instantly flashback to my childhood when we used to listen to Happy Harry Hadikian's radio show. In fact, I like his music (and bakhlava) so much so, that I had named my old car Adiss and Shooshig had named her car Harout after Mr. Pamboukjian. Yes, we're cheesy Armenian music enthusiasts!

I know I'll love the Dance Ensembles since I always enjoy the Hamazkayin Ani Barakhoump's performances and anyone who knows me can attest to the fact that I've always wanted to be in a barakhoump and sport a beautiful Armenian Daraz. Come to think of it I may go pay Shooshig's family a visit and if she left behind the Armenian Daraz she sewed herself for Halloween I may just "borrow" it ha ha!

I'm very curious how I'll react to the music of Andy and Sako and some of the other performers I've never heard of. I am most excited about seeing element. I have some of their music and like it, but I have yet to see them perform live. A few of the band members were a few grades below me at Ferrahian so it's nice to see their success! They're playing at the Hollywood Bowl for crying out loud how amazing is that!

By the way if anyone lives in close proximity to the Hollywood Bowl and is planning on not driving, please be aware that on Friday night my friends and I had the unfortunate experience of having an Armenian taxi cab driver turn off his meter and tell us we owed him $40 for a taxi cab ride that usually costs us under $13! The worst part was that we had an odar friend in the car and I'm sure she took note of how sad it was that someone we were chatting and laughing with in a foreign language proceeded to rip us off so horribly! On another occasion my friend and I were running late and didn't want to miss the first song at a Dave Matthews Band Concert at the Bowl so we pulled into a makeshift parking lot which was in actuality a dusty construction site complete with porta potties and forklifts where a young Armenian boy and his father were charging $40 to let cars in. I don't even think they had any clearance to let cars into that area but they were and I wanted to get to the concert ASAP so I talked them down a few bucks in Armenian of course and my Mexican friend just shook her head in awe at their audacity and after paying about $20 too much for parking I considered it all worth it when we made it to our seats just in the Knick of time as the lights went out and they started with my favorite song "The Best of What's around" (I learned my lesson back in 99' when we heard "Dream on" by Aerosmith while stuck on the escalators trying to get to the upper terrace and last summer when we heard "Wheel in the Sky" by Journey while getting our tickets scanned. Don't miss the first song...It's always the best one!)

If you don't want to drive to the Bowl you can park at various locations like the LA Zoo or Federal building in Westwood and take a shuttle. It's hassle free and only costs a couple bucks as opposed to the $10-40 you'll pay around the Bowl.

Friday, June 08, 2007

Be patient or go your way ! (long post)

I recently read news about the last declarations of the Armenian patriarch of Turkey, (2 news from Collectif Van, in French, one is the translation of H. Sassounian’s article in California Courrier of the 7th of june).

I thought it was time to write what I’ve noticed about the Armenians of Turkey as I am myself from Turkey and experienced both “in & out” points of view about them. Vast subject, and often weird, but let’s try.

1st thing that come to my mind is a French expression meaning highly delicate & uncomfortable position : “le cul entre deux chaises” (literally translated : bottom between 2 chairs).

IN Turkey of course, they are daily torn between their identity to live in, and the threaten represented by this very same identity; between a natural love for the land they live on since long and the risk this very same land is to them, regardless to the legitimacy of their presence there… etc To shorten the list : permanent fight on the wire (or blade) of the razor - another French expression.
So prudence is a natural aspect of them and this is why any high and strong claim is so remarkable there, especially those days where craziness has reached new tops again.

I had no particular memories of Turkey except when I went back there, aged 10, for a family wedding. Although my parents were like back at a home “sweet” home there, I didn’t fell at ease AT ALL. I understood some Turkish language and could speak a few when necessary, and as I communicated easily with people, parents kept reminding us “don’t say you’re Armenian” as the most natural thing to be done there. This was difficult because people always asked why we left Turkey if we were Turkish and not French etc. And often I couldn’t help telling that we were Armenians, but then my interlocutors didn’t seem to understand what I was talking about, and it was despairing to try explaining it ! Far from being a drama, today I think it’s maybe simply my accent that didn’t help them to understand me ! lol
Anyway, this return to a “homeland” so unknown and strange, is a rather weird and unpleasant experience for me.

Apart from that, Armenian community of Turkey has most of the strong Armenian characteristics (like in other countries I guess) : very organized for sure, particularly traditional, extreme solidarity (in comparison 1000 times much more fraternal and generous than what I saw in France), and yet remarkably successful in this rather “hostile” context. Oh forgot to tell, they’re also very much “Armenian” in being so arrogant and proud of themselves, believing that they are the bests - in private of course, they can also be diplomacy champion with their chameleon capacities :o)
I often noticed the more welcoming reactions of my relatives when they discover that one or another Armenian they know is from Turkey, the ultimate jackpot being when they come from the same region of Turkey, Haaaa Kastamontsi !! lol
Bah, it’s human after all ! Life can be so much crushing for individuals that there’s no harm in being a little pretentious : if we don’t raise up ourselves sometimes, no one would do it for us !

So this is how I see Armenians of Turkey : in spite of their risky situation they manage to succeed in life, remain Armenians, be happy and enjoy life as much as they can, but discrete.

Discrete, looks like it’s also how other Armenians qualify them, to speak politically correct.
I learnt it recently, in a little party given by France-Arménie for celebrating the big special number of the magazine on Armenia they launched this year (Année de l’Arménie oblige).
As I’d arrived late, I stood with the last ones remaining after eating, and was introduced to some other colleagues of the magazine. Amongst them was another Armenian from Turkey who particularly contributed to the special work. One of the magazine’s responsible was then surprised that amongst the few persons that we were, 2 born in Turkey were present, and that seem exceptional to her. I asked why, and all the others became a little embarrassed in explaining that Armenians of Turkey are generally less present or “visible”, that they stood much more discrete in Armenian cause and activities. Uhum…

Not that it’s not true, as for me I have not followed everything Armenian in my arounds until few years ago (I began getting more involved after 22 while I was ending university) and only when I appreciated to do it. Until then I must confess that I rather stood far away from what seem to be a closed world, and not very welcoming the ones who weren’t like them or thinking like them.
Plus, with all the noise made against Turkish attitude, I also felt ashamed of being from there and didn’t feel helped by the others on that. Was like the biggest shame to have… and as my name is not a –ian finishing one, it was hard to hide it (you know the story of Atatürk ‘standardization’ of names, for mine : it kept the Armenian radical Hacik pronounced Khatchik in Turkish, but inherited the Turkish –oglu ending meaning “son of”, becoming Hacikoglu and nearly completing the voyels collection of our name).
15 years ago, the main speaker of Parisian haygagan radio aypfm, Hagop Balian, not to name it, was even famous for regularly badly criticize the Armenians of Turkey. Things are not so obvious against them now, but ambiguous attitude has some traces still. I assisted few months ago, to a conference given by Claire Mouradian (remarkable historian) on the Armenian diaspora of France. She mentioned each international Armenian communities showing how they evolved in comparison with what happened to the French one… and not even once she mentioned the Armenians of Turkey. Why ?
Even the last movie of Guediguian, “le voyage en Arménie” that I really appreciated despite of it, once showed a shocking critic against Armenians of Turkey (basically the character that was an Armenian from Turkey was only deserving contempt, simply because born in Turkey!).

Why ? It’s like being twice guilty, and targeted (for turks, and for other Armenians)
I can’t clearly explain it, but there’s something toward them that remains taboo and it’s unfair ! Despite its pejorative consonance, I get used to my name (of course!) and somehow I am even proud of it because it’s a symbol of a specific history. I don't approve this “internal critic” : after all Armenians of Turkey are basically the very few ones that have remained on their ancestral land. This is also the land where we come from, no one would deny that today’s Armenia is a little remaining part of our original territory, and where do you think the other parts are today ? For sure Armenians of Turkey share (like others in their respective countries) some characteristics of their living land, Turkey, and that can be hard to swallow but is it worth those kind of prejudices ?

Another conference took place in march, about Armenian literature and publishing, reuniting 4 Armenian publishers : Krikor Beledian Armenian writer in France, Sargis Khatchents publisher from Armenia "Sargis Khatchents Aibbengim" Publishing House, Haroutioun Kurkdjian learning books writer and publisher from Greece, and the last one from Turkey Rober Koptas of Aras Publishing. Anahid Ter Minassian made a few translations cause most of the time they use the common language of Armenian :o)
Very interesting conference by the way (nice open-minded vision of how should evolve Armenian literature). When Rober Koptas spoke, he somehow surprised the assembly, when he said how they translated Armenian writers in Turkish. In front of some weird (unclear) critical questions, he was lead to explain a basic fact : Armenians in Turkey don’t consider themselves a diaspora, they feel at home there, although Turkish Government is working so hard on marginalizing them. They are the ones that didn’t leave the “homeland” in 1915, consider it a chance or not, this is their history, and their fate doesn't appear shiny as time passes.

This said, stay cool, I’m not saying that I’m despised here in France because of my origins, fortunately there are a majority of reasonable people. But as a French citizen, Armenian rooted person, born in Turkey, I had the opportunity to notice those things and took the occasion to mention them here. Only hope it contributes to mutual understanding.
I must also confess that personally meeting with Turkish here may induce a sort of mistrust. It’s understandable I think, but it’s a reaction we must also go beyond of, for simple human reasons. Even if super-armenians we are, let’s keep human qualities ;o)

The End (ouf!)

Friday, June 01, 2007

Ara Dinkjian

Although I have stopped writing world music articles (Global Rhythm) in the last few years to concentrate on my Pomegranate Music record label and now, YerazArt, I still enjoy sitting down and writing about unique subjects that often go unnoticed. In this case, combining my passion for the oud and profound respect for one of the true original musicians of our generation, I started writing about Ara Dinkjian last November 2006 after interviewing him via phone in three or four session. Little is actually known about Ara in the general Armenian Diasporan community outside of the East Coast, other than his work with Night Ark. However, given the emergence of Arto Tuncboyaciyan with the Armenian Navy Band, and Ara's own rise in stature of one of the world's most accomplished oudists, I thought it was time to shine the spotlight on him. I hope you enjoy it. - Raffi Meneshian (May 2007)

Part 1


On November 26, 2005 Ara Dinkjian finished what is now considered a historic concert in Jerusalem to conclude the annual Oud Festival there. Reflecting back on his performance and crowd reaction, the humble Mr. Dinkjian simply said, "I had a good night". Little did he know that the concert was actually being recorded by the live sound engineer on duty at the theater, Uri Barak. A couple days later as the New Jersey born musician and composer was getting ready to head back home to the States, he received an audio copy of the concert. Upon first listen, he could not believe the sonic quality of the recording and called up some local musician friends in NYC to review the contents. They all agreed, Ara finally had something a studio album could never record. Magic. "An Armenian in America: Live from Jerusalem" thus goes down as being one of the more celebrated accidental world music albums ever released.

Just a tad under 50 years old now, Ara Dinkjian name evokes different meanings to different people. To some, he is singer "Onnik's kid" who made his professional debut at 5 years old at the 1964 New York City World's Fair playing on the dumbeg with the likes of oud icons Johnny Berberian and the now deceased George Mgrdichian. It was that Ara Dinkjian who would be thrust into the world of music while gladly accompanying his father's band on the guitar, dumbeg or any other instrument that the ensemble needed- all before he turned 18. To others, Ara is a pioneer in the area of ethno jazz with the formation of his group Night Ark in 1986, which introduced listeners to a new blend of Anatolian roots music fused with jazz. Members included now-famous Arto Tuncboyaciyan on the percussion as well as pianist/composer Armen Donelian. And still to others, Ara Dinkjian is simply known as the man who composed the multi-platinum record selling song "Dinata", by Greek diva Eleftheria Arvanitaki. "Dinata" remains one of the most popular Greek songs of all time and was chosen as one of the closing songs at the 2004 Athens Olympics. Here is a clip of "Dinata" on YouTube http://www.youtube.com/watch?v=0H_qi2y7_xo Arto is providing the wacky voice and drums, and Ara is on the cumbus.

"An Armenian in America" consists of 12 tracks, an equal mix of reinterpretations of old Night Ark tunes, or brand new compositions. This time, however, he performs on the instrument which is probably closest to his soul in the oud. While Ara has shown recorded flashes of his mastery of the instrument in Night Ark recordings or with other artists, those familiar with his extremely rare appearances on the oud can attest that it is indeed something special. Through both the Night Ark and guest artist performances, Ara has always believed in a collaborative concept of making the instrument blend into a total mosaic of a song. Thus, the prior recordings have always taken on the shape of restrain, with the instrument merely acting as color in his musical paintings. Yet, others who have heard about "underground cassettes" of the oud recordings of Ara unplugged at NYC functions or the Oud Festival in Greece a few years back have never been able to get their hands on a commercially available copy of what many feel Ara does best, play the oud. This is why "An Armenian" is so thrilling for some of us, who have either studied or admired the oud in the hands of a master on record. On the CD under review, Dinkjian keeps the ensemble lean with monster Israeli percussionist Zohar Fresco and keyboard player Adi Rennert. Indeed both Fresco and Rennert both acknowledge that performing onstage with Dinkjian in Jerusalem's Confederate House in front of a sold crowd was indeed special due to their love and respect of Ara's music.

That love and respect of Mr. Dinkjian's music is not just from Adi and Zohar. Rather, it can be displayed all over Greece, Turkey, and Israel. In each of these countries, Ara's songs are played on the radio daily with songs such as "Homecoming", "Offering", and others instantly recognizable in their native language. Indeed, in the case of "Homecoming", the lyrics have been written to that tune in over 13 known languages, including the smash "Dinata" in Greece. Understanding the roots of the power of Dinkjian's compositions, as opposed to just his oud playing, are key.

Mr. Dinkjian enrolled at The Hartt School, a specialized performing arts college in Hartford, CT and was offered a scholarship to attend at the age of 18. While others flashed Chopin Etudes or Sonatas by Beethoven, Ara walked in and performed on the oud, eventually creating a curriculum and graduating with the only "oud degree" in the country at the time. After graduation, Dinkjian and some of his friends went to Switzerland to see if they could make it as musicians. Coincidentally, the 1980 Montreux Jazz Festival was about to take place and the quartet of Brian McGlaughlin, Sid Clark, David Dyson, and Ara were hanging around the hotels and bars where some of the participants were. They picked up their instruments and started playing impromptu and become a modest hit within the informal music circles. One night, a waiter mentioned that the organizer of the Jazz Festival was having a party and that this may be a good time to mix and mingle. And so, Ara and his band crashed Claude Nobs party and while there saw musical legends such as Dizzy Gillespie, Al Jarreau, Betty Carter, and Rick Wakeman (among others). Their jaws dropped, and then they got bold. Then, as Ara would recount, "I did something I never had done up until then, and never have done since". He went up to Claude Nobs and said, "If you don't have us play as an opening act, YOU would be missing out on something special". Nobs looked at Ara and motioned to have him thrown out. Between that moment and when someone was actually starting to make their way toward the group, Nobs had agreed to have the Nyima Ensemble open for Tito Puente. They were stunned and thankful. Their performance went very well and their fusion of world and jazz music rocked the crowd. After they were finished, they could see and hear the now-notorious spat between Claude Nobs and Tito Puente over the use of Puente's name as only being introduced as the "Latin Percussion Jazz Ensemble". Tito was pissed, and Claude's response was "if you don't want to play, we will bring the boys back on, they just brought the house down!". Tito eventually went on and also did a stellar job. However, at that moment, Ara knew that he had something special at the age of 22 with his new formed band. Here is the roster of the Jazz Festival.

After the guys came back to NYC, the Nyiama Ensemble started to play in and around the city. The bond Ara felt with his closest friend and guitarist, African American Sid Clark was unmistakable on stage. Sid seemingly picked up every nuance Ara threw at him and his ability to harmonize on the spot was incredible. Yet, the momentum slowed down one day when Ara got a call from Sid saying he was in the hospital. As Ara recounted, "He said it was nothing that big, and that he should be out soon. The next day, his mom calls me and says Sid is dead. I stopped playing music for at least a year as my closest friend was no longer with us." With the Nyima Ensemble secondary in Ara's thoughts, the momentum of the Montreux experience came to a total halt.

After Ara picked up the pieces from Sid's death, he attended a rehearsal called by another talented musician named Suren Baronian in New York City. It was around 1984 and the guy playing on the congas had lived in the city for a year or two just in from Istanbul, Turkey. Once Suren started the piece, Ara and the percussionist looked at each other and said "whoa". It was at that point, that Arto Tuncboyaciyan and Ara Dinkjian both knew a special musical chemistry had just been formed.

KEY TRACKS: "Offering", "The Long Goodbye"- Listen at http://www.cdbaby.com/cd/aradinkjian

Next Time: Part 2- Night Ark/Greece

Raffi Meneshian 2007. All Rights Reserved.